I run a dedicated processing environment for large RAW timelapse projects — the kind of work that overwhelms standard editing setups. The pipeline is built around a 140 TB enterprise RAID, a 4 TB NVMe scratch volume, and an HDR-capable Lightroom and LRTimelapse workflow.
If you’re shooting holy grail sequences, day-to-night transitions, or multi-terabyte projects and you don’t want to wait days for your laptop to render them, this is what the studio is built for.